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Song Ci Three Hundred selected poems comprehensively showcase the characteristics and lifestyle of the Song Dynasty. Compiled by Zhu Xiaozang, one of the four great Ci poets of the late Qing dynasty, in 1924, the collection includes works from eighty-eight Song Dynasty Ci poets. The compiler, Zhu Xiaozang (1857-1931), also known as Zumou with the courtesy name Guwei, had a keen interest in poetry. His selection criteria focused on inclusivity, seeking a balance of form and spirit.

Song Ci is a literary form that flourished during the Song Dynasty in China. Its writing style is less structured than conventional poetry, making it suitable for singing. As it was designed to be sung with music, it is also known as lyric poems, musical verses, musical chapters, long-short sentences, poetic remnants, or melodious sentiments.

Song Ci represents a new form of poetry compared to classical poetry and stands as a pinnacle of literary achievement in the Song Dynasty. It features specific poem titles such as "Butterflies Love Flowers" and "Water Tune Song Head," among others.

Song Ci Three Hundred not only aids readers in better understanding and memorizing Song Ci but can also serve as an exquisite collectible item. Originating in the Tang Dynasty, refined during the Five Dynasties, and reaching its peak during the Song Dynasty, Song Ci shines brightly on the crown of ancient Chinese literature. With its enchanting and diverse charm, it contends with Tang poetry and vies with Yuan Qu in brilliance, traditionally acclaimed alongside Tang poetry as twin peaks representing literary magnificence in their respective eras.